MURAL - Maynooth University Research Archive Library



    Items where Academic Unit is "Faculty of Arts,Celtic Studies and Philosophy > School of English, Media & Theatre Studies > English"


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    Number of items at this level: 129.

    A

    Arrington, Lauren (2008) The Censorship of O’Flaherty V.C. Shaw, 28. pp. 85-106. ISSN 0741-5842

    Arrington, Lauren (2018) Constance Markievicz Divisive Revolutionary Heroine. The Irish Times.

    Arrington, Lauren (2018) Fighting Spirits: Yeats, Pound and The Winding Stair (1929). Yeats Annual, 21. pp. 269-294. ISSN 2013-2018

    Arrington, Lauren (2020) ‘I myself delight in Miss Edgeworth’s novels’: Gender, Power and the Domestic in Lady Gregory’s Work. In: Irish Literature in Transition, 1880–1940. Cambridge University Press, pp. 196-211.

    Arrington, Lauren (2008) 'I sing what was lost and dread what was won:’ Yeats and the Legacy of Censorship. Irish University Review, 38 (2). pp. 222-242. ISSN 1755-6198

    Arrington, Lauren (2016) Irish Modernism and its Legacies. In: The Princeton History of Modern Ireland. Princeton University Press, pp. 236-252. ISBN 9780691154060

    Arrington, Lauren (2016) Liberté, égalité, sororité: the poetics of suffrage in the work of Eva Gore-Booth and Constance Markievicz: Advancing the Cause of Liberty. In: Irish Women's Writing, 1878-1922. Manchester University Press, pp. 209-226. ISBN 978-1-5261-0074-0

    Arrington, Lauren (2014) Socialist Republican Discourse and the 1916 Easter Rising: The Occupation of Jacob's Biscuit Factory and the South Dublin Union Explained. Journal of British Studies, 53. pp. 992-1010. ISSN 1545-6986

    Arrington, Lauren (2014) Theatre of Dissent: the Historical Imagination of the Irish Workers’ Dramatic Company. In: The Rest is History: Ireland, Performance and the Historical Imagination. Palgrave MacMillan, pp. 101-117. ISBN 978-1-137-36217-9

    Arrington, Lauren (2021) Towards a Late Modernist Theater. Modernism/Modernity Print Plus, 5 (4). ISSN 1071-6068

    Arrington, Lauren (2018) The blindness of hindsight: Irish and British poets look back on early fascist Italy. Irish Political Studies, 33 (2). pp. 246-258. ISSN 0790-7184

    B

    Baker, David and Maley, Willy and Palmer, Patricia (2018) What ish my network? Introducing MACMORRIS: Digitising cultural activity and collaborative networks in early modern Ireland. Literature Compass, 15. ISSN 1741-4113

    Balzano, Wanda and Sullivan, Moynagh (2007) The Contemporary Ballroom of Romance. The Irish Review, 35. pp. 1-6. ISSN 07907850

    Brunstrom, Conrad (1997) James Beattie and the Great Outdoors: Common Sense Philosophy and the Pious Imagination. Romanticism, 3. pp. 20-34. ISSN 1354-9914X

    Brunstrom, Conrad (2006) 'Leaving the Herd': How Queer was Cowper. British Journal for Eighteenth Century Studies, 29. pp. 157-167. ISSN 0141-867X

    Brunstrom, Conrad and Cassidy, Tanya M. (2012) 'Scorn Eunuch Sports': Class, Gender and the Context of Early Cricket. Journal for Eighteenth-Century Studies, 35 (2). pp. 223-237. ISSN 1754-0194

    Brunstrom, Conrad and Kavanagh, Declan (2012) Arthur Murphy and Florida Peat: The Gray's Inn Journal and versions of the apolitical. Eighteenth-Century Ireland / Iris an dá chultúr, 27. pp. 123-141. ISSN 0790-7915

    Byrne, Sarah (2017) The ‘Marae on Paper’: The Meeting House in the Anglophone Fiction of the Maori Renaissance. PhD thesis, National University of Ireland Maynooth.

    C

    Calbi, Maurizio and O'Neill, Stephen (2016) Introduction: #SocialmediaShakespeares. Borrowers and Lenders: The Journal of Shakespeare and Appropriation, X (1). ISSN 1554-6985

    Carmody, Alan (2017) Illiterature: Reading Illness and Illegibility in the Early Works of William Burroughs. PhD thesis, National University of Ireland Maynooth.

    Carville, Elizabeth (2018) The Representation of Celtic Tiger Irish Masculinity in Hollywood Cinema: 1994-2008. PhD thesis, National University of Ireland Maynooth.

    Chapman, Edmund (2022) Jewishness and postcoloniality in Borges and Derrida: the singular and the specific. Textual Practice, 36 (8). pp. 1226-1243. ISSN 0950-236X

    Cogan, Lucy (2021) Rending the “Soft Plains” of America: Rape and Liberation in the Poetry of William Blake. European Romantic Review, 32 (4). pp. 377-397. ISSN 1050-9585

    Cogan, Lucy (2016) Sarah Butler’s Irish Tales, a Jacobite Romance. Eighteenth-Century Fiction, 29 (1). pp. 1-22. ISSN 0840-6286

    Cogan, Lucy (2015) William Blake's The Book of Los and the Female Prophetic Tradition. Romanticism, 21 (1). pp. 48-58. ISSN 1354-991X

    Condon, Denis (2018) Falling Desparately in Love with the Image on Screen: "The Flictoflicker Girl" (1913) and Cinematic Structures of Fascination. In: The Image in Early Cinema: Form and Material. Indiana UP, Bloomington, pp. 266-275.

    Condon, Denis (2017) Film: A New Form of Propaganda and Entertainment. History Ireland, 25. pp. 62-66. ISSN 0791-8224

    Condon, Denis (2018) ‘Players must be of a good class’: Women and concert musicians in irish picture houses, 1910-1920. In: Music and Sound in Silent Film: From the Nickelodeon to The Artist. Routledge, pp. 79-92. ISBN 9781138245358

    Condon, Denis (2021) Review: Tomás Ó hÍde. Seáinín Tom Sheáin: From Árainn to the Silver Screen. Dublin: Comhairle Bhéaloideas Éireann, 2019. xiv + 267. €18 pb. Estudios Irlandeses, 16. ISSN 1699-311X

    Connolly, Thomas (2017) Bio/Techno/Homo: a critical history of the human in Anglo-American science fiction. PhD thesis, National University of Ireland Maynooth.

    Corley, Ide (2016) An Interview with Zanele Muholi. Wasafiri, 31 (1). pp. 22-29. ISSN 1747-1508

    Corley, Ide and Fallon, Helen and Cox, Laurence (2018) Silence Would Be Treason Last writings of Ken Saro-Wiwa (2nd Edition). Daraja Press. ISBN 78-1-988832-04-3

    Corley, Ide and Fallon, Helen and Cox, Laurence (2017) Silence Would Be Treason. Last writings of Ken Saro-Wiwa. Daraja Press. ISBN 978-1-988832-04-3

    Cosgrove, Brian (2006) Keeping the Faith: The Transformative Autonomy of Literature and the Uniqueness of Literary Discourse. In: What Price the University? Perspectives on the Meaning and Value of Higher Education from the National University of Ireland, Maynooth. National University of Ireland Maynooth, Maynooth, Ireland, pp. 47-56. ISBN 0901519766

    Cosgrove, Brian (1996) Male Sexuality and Female Rejection: Persistent Irony in Joyce's "The Dead". Irish University Review, 26 (1). pp. 37-47. ISSN 1755-6198

    Cronin, Michael (2014) Clubs, closets and catwalks: GAA stars and the politics of contemporary Irish masculinity. In: Masculinity and Irish Popular Culture: Tiger's Tales. Palgrave Macmillan, pp. 13-26. ISBN 113730023X

    Cronin, Michael (2013) Oscar's Mirror. Irish Literary Review, 32 (2). pp. 11-12. ISSN 0733-3390

    Cronin, Michael (2022) ‘Ransack the histories’: Gay Men, Liberation and the Politics of Literary Style. Review of Irish Studies in Europe, 5 (1). pp. 73-88. ISSN 2398-7685

    Cronin, Michael (2018) What We Talk About When We Talk About Sex: Modernization and Sexuality in Contemporary Irish Scholarship. Boundary 2: an international journal of literature and culture, 45 (1). pp. 231-252. ISSN 0190-3659

    Curran, Daniel (2020) The Burial of the Dead: Atrocity and Modern Memory in James Joyce and Samuel Beckett. PhD thesis, National University of Ireland Maynooth.

    D

    Denman, Peter (2004) Ferguson, Sir Samuel (1810-1886). In: Oxford Dictionary of National Biography. Oxford University Press, UK.

    Denman, Peter (1992) Rude Gestures? Contemporary Women's Poetry in Irish. Colby Quarterly, 28 (4). pp. 251-259. ISSN 1050-5873

    Denman, Peter (2004) Symposium: Robert Lowell's Collected Poems. Metre, 15. pp. 112-113.

    Dowling, Conor (2020) Carnivals of Reaction?: Irish Modernist Novelists and the Free State Counter-Revolution. PhD thesis, National University of Ireland Maynooth.

    E

    English, Bridget (2014) Death and Dying in the Modern Irish Novel: Studies in Form and Meaning from James Joyce to Anne Enright. PhD thesis, National University of Ireland Maynooth.

    F

    FAGAN, PAUL (2021) Groves of Blarney: Fake Songs, Mock-Hoaxes, and Stage Irish Identity in William Maginn and Francis Sylvester Mahony. In: Stage Irish: Performance, Identity, Cultural Circulation. Wissenschaftlicher Verlag Trier, Trier, pp. 25-44.

    FAGAN, PAUL (2021) Reflections on the First Decade of the International Flann O’Brien Society. The Journal of Flann O'Brien Studies, 5 (2). ISSN 2056-6700

    Fitzpatrick, Fergal (2019) The  Politics  of  the  Image:  Ireland,  Landscape   and  Nineteenth-­‐Century  Photography. PhD thesis, National University of Ireland Maynooth.

    Fogarty, Matthew (2016) Centenary Readings of A Portrait of the Artist as a Young Man Conference, 5–6 May 2016. Dublin James Joyce Journal, 9 (1). pp. 137-140.

    Fogarty, Matthew (2018) Friedrich Nietzsche and the Literary Works of William Butler Yeats, James Joyce, and Samuel Beckett. PhD thesis, National University of Ireland Maynooth.

    Fogarty, Matthew (2018) ‘Most foul, strange and unnatural’: Refractions of Modernity in Conor McPherson’s The Weir. The Irish Journal of Gothic and Horror Studies, 17. ISSN 2009-0374

    Frawley, Oona (2017) Edmund Spenser and Transhistorical Memory in Ireland. Irish University Review, 47 (1). pp. 32-47. ISSN 1755-6198

    Frawley, Oona (2013) Global civil war and post-9/11 discourse in The Wasted Vigil. Textual Practice, 27 (3). pp. 439-457. ISSN 0950-236X

    G

    Gallagher, Ciara (2011) Transforming Limits: Home, Literary Activism and Engagement in South Asian Literature. PhD thesis, National University of Ireland Maynooth.

    Gander, Catherine (2020) Black and White Landscapes: Topographies of Disorientation in the Works of Carrie Mae Weems and Claudia Rankine. Journal of American Studies, 54 (3). pp. 517-540. ISSN 0021-8758

    Gander, Catherine (2013) Facing the Fact: Word and Image in Muriel Rukeyser's 'Worlds Alongside'. Journal of Narrative Theory, 43 (3). 288-328,417. ISSN 1549-0815

    Gander, Catherine (2010) Muriel Rukeyser, America, and the "Melville Revival". Journal of American Studies, 44 (4). pp. 759-775. ISSN 0021-8758

    Gander, Catherine (2018) Poetry as embodied experience: the pragmatist aesthetics of Muriel Rukeyser’s The Life of Poetry. Textual Practice, 32 (7). pp. 1205-1229. ISSN 0950-236X

    Gander, Catherine (2018) Rereading Muriel Rukeyser’s The Life of Poetry: a Textual Practice special issue. Textual Practice, 32 (7). pp. 1097-1102. ISSN 0950-236X

    Gander, Catherine (2011) The Senses of Muriel Rukeyser’s The Book of the Dead. European Journal of American Culture, 30 (3). pp. 175-194. ISSN 1466-0407

    Gander, Catherine and Sarah, Garland (2013) Introduction: To fasten words again to visible things: The American imagetext. European Journal of American Culture, 32 (2). pp. 115-120. ISSN 1466-0407

    Gotze, Leopold (2022) This Room Explains a Great Deal: Virginia Woolf’s Renovative Modern Fiction of the 1920s. PhD thesis, National University of Ireland Maynooth.

    Graham, Colin (2001) 'Blame it on Maureen O'Hara': Ireland and the trope of Authenticity. Cultural Studies, 15 (1). pp. 58-75. ISSN 0950-2386

    Graham, Colin (2008) Dallas, Belfast (Sarah Browne and Gareth Kennedy Interviewed). The Irish Review, 39. pp. 70-77. ISSN 07907850

    Graham, Colin (2005) 'Every Passer-by a Culprit?': Archive Fever, Photography and the Peace on Belfast. Third Text, 19 (5). pp. 567-580. ISSN 0952-8822

    Graham, Colin (2017) Foreword: ‘Crumpled metal’ and ‘A Gift of a Melon’: The Future in Northern Irish Culture. Irish University Review, 47 (supple). pp. 395-404. ISSN 1755-6198

    Graham, Colin (2009) Gargarin’s Point of View: Memory and Space in Recent Northern Irish Art. The Irish Review, 40/41. pp. 104-113. ISSN 07907850

    Graham, Colin (2009) Hireling Strangers and the Wandering Throne: Ireland, Scotland and Samuel Ferguson. Estudios Irlandeses, 4. pp. 21-31. ISSN 1699-311X

    Graham, Colin (1996) History, Gender and the Colonial Moment: Castle Rackrent. Irish Studies Review, 14. pp. 21-24. ISSN 0967-0882

    Graham, Colin (1994) 'Liminal Spaces': Post-Colonial Theories and Irish Culture. The Irish Review, 16. p. 29. ISSN 07907850

    Graham, Colin (2001) Moderation, the Post-Colonial and the Radical Voice. Hungarian Journal of English and American Studies, 7 (2). pp. 45-53. ISSN 1217-0283

    Graham, Colin (1996) Post-Colonial Theory and Kiberd's Ireland. The Irish Review, 19. pp. 62-67. ISSN 07907850

    Graham, Colin (2013) ‘strange architecture’: Ciaran Carson’s Until Before After. Irish University Review, 43 (2). pp. 381-397. ISSN 1755-6198

    H

    Harney, Theresa (2014) “Coloured” Pasts in Post-Apartheid South African Fiction: Slavery, Gender, and Anachronism. PhD thesis, National University of Ireland Maynooth.

    Howell, Sonia (2012) Partners in Practice: Contemporary Irish Literature, World Literature and Digital Humanities. PhD thesis, National University of Ireland Maynooth.

    K

    Keller, Ann Margaret (1979) The Long Gallery of Castletown House. Bulletin of the Irish Georgian Society, 22. pp. 1-54. ISSN 0791-5551

    Kennedy, Sinead (2021) Bodies under the Law: Feminist Artistic Practice and the Struggle to #Repealthe8th. Éire-Ireland, 56 (3-4). pp. 241-263. ISSN 1550-5162

    Kennedy, Sinead (2018) “#Repealthe8th”: Ireland, Abortion Access and the Movement to Remove the Eighth Amendment. Annuario di Antropologia, 5 (2). pp. 13-31. ISSN 2281-4043

    Kennedy, Sinead and Palko, Abby and Sullivan, Moynagh (2017) Introduction to Gender, Sexuality, and Intersectionality in Irish Studies. Breac: A Digital Journal of Irish Studies. ISSN 2372-2231

    Kerr, Sara J. (2019) Rational Creatures: Using Vector Space Models to Examine Independence in the Novels of Jane Austen, Maria Edgeworth, and Sydney Owenson (1800–1820). PhD thesis, National University of Ireland Maynooth.

    L

    Levay, Matthew and Radford, Andrew and Dick, Maria-Daniella and Livingstone, Catriona and Tweed, Hannah and Rodriguez Martin, Gustavo A. and Saunders, Graham and Baker, William and Creasy, Matthew and O'Hanlon, Karl and Hanna, Adam (2018) Modern Literature. The Year’s Work in English Studies, 97. pp. 889-1030. ISSN 0084-4144

    M

    McCarthy, Conor (2016) Academic Freedom and the Boycott of Israeli Universities: On the Necessity of Angry Knowledge. College Literature: A Journal of Critical Literary Studies, 43 (1). pp. 264-274. ISSN 0093-3139

    McCarthy, Conor (2020) Edward Said and Authority: From Conrad to Orientalism and Beyond. ariel: A Review of International English Literature, 51 (4). pp. 33-64. ISSN 1920-1222

    McCarthy, Conor (2007) Edward Said and Irish Criticism. Eire - Ireland, 42 (1&2). pp. 311-335. ISSN 0013-2683

    McCarthy, Conor (1997) Ideology and Geography in Dermot Bolger's The Journey Home. Irish University Review, 27 (1). pp. 98-110. ISSN 1755-6198

    McCarthy, Conor (2010) Irish Criticism and the Political. Wasafiri, 25. pp. 59-64. ISSN 1747-1508

    McCarthy, Conor (2018) James Connolly, Civil Society and Revolution. Observatoire de la société britannique, 23. pp. 11-34. ISSN 1775-4135

    McCarthy, Conor (2005) Reply to Bruce Stewart, or, The Politics of Irish Criticism. Canadian Journal of Irish Studies, 30 (1). pp. 91-92. ISSN 0703-1459

    McCarthy, Conor (2013) Said, Lukács, and Gramsci: Beginnings, geography, and insurrection. College Literature, 40 (4). pp. 74-104. ISSN 0093-3139

    McCarthy, Conor (2005) Seamus Deane: Between Burke and Adorno. The Yearbook of English Studies, 35. pp. 232-248. ISSN 03062473

    McCarthy, Conor (2010) The Wake of Edward Said. College Literature, 37 (4). pp. 195-203. ISSN 0093-3139

    McGuinness, Frank (1991) A voice from the trees: Thomas Kilroy's version of Chekhov's "The Seagull". Irish University Review, 21 (1). pp. 3-14. ISSN 1755-6198

    Murphy, Naoise (2022) The Queer Transnational in Kate O'Brien and Elizabeth Bowen. Review of Irish Studies in Europe, 5 (1). pp. 8-27. ISSN 2398-7685

    Murtagh, Shane (2015) Digital Critical Editing, Digital Text Analysis, and Charles R. Maturin’s Melmoth the Wanderer. PhD thesis, National University of Ireland Maynooth.

    N

    Naji, Jeneen (2019) The Art of Machine Use Subversion in Digital Poetry. Hyperrhiz: New Media Cultures. ISSN 1555-9351

    O

    O'Brien, Richard (2018) Community and Conflict: A Practitioner’s Perspective on Verse Drama. Connotations, 27. pp. 120-154. ISSN 2626-8183

    O'Brien, Richard (2018) “I will never play the Dane”: Shakespeare and the performer's failure. Literature Compass, 15 (8). ISSN 1741-4113

    O'Brien, Richard (2016) “Put not / Beyond the sphere of your activity”: the fictional afterlives of Ben Jonson. Ben Jonson Journal, 23 (2). pp. 169-191. ISSN 1079-3453

    O'Brien, Sarah (2019) Disrupting Memory: Trauma and Fictions of the ‘War on terror’. PhD thesis, National University of Ireland Maynooth.

    O'Connell, Brenda (2019) Motherhood, Female Ageing and Samuel Beckett. PhD thesis, National University of Ireland Maynooth.

    O'Hanlon, Karl (2021) The Case for Irish Modernism: Denis Devlin at the League of Nations and 1930s International Broadcasting. Modernism/modernity, 28 (1). pp. 157-180. ISSN 1080-6601

    O'Hanlon, Karl (2018) A Final Clarifying: Form, Error, and Alchemy in Geoffrey Hill's Ludo and the Daybooks. Etudes Anglaises, 71 (2). pp. 207-221. ISSN 0014-195X

    O'Hanlon, Karl (2016) Noble in his grandiose confusions': Yeats and Coriolanus in the poetry of Geoffrey Hill. English, 65 (250). pp. 211-233. ISSN 0013-8215

    O'Hanlon, Karl (2016) The violent and formal dancers': John Berryman and Geoffrey hill. Cambridge Quarterly, 45 (3). pp. 208-223. ISSN 0008-199x

    O'Neill, Stephen (2023) Arborealities, or Making Trees Matter in Elif Shafak’s The Island of Missing Trees. Interdisciplinary Studies in Literature and Environment (ISLE). pp. 1-21. ISSN 1076-0962

    O'Neill, Stephen (2018) Beyond Shakespeare's land of ire: Revisiting Ireland in English Renaissance drama. Literature Compass, 15 (e12491). ISSN 1741-4113

    O'Neill, Stephen (2019) Finding Refuge in King Lear: From Brexit to Shakespeare's European Value. Multicultural Shakespeare: Translation, Appropriation and Performance, 19 (34). ISSN 2300-7605

    O'Neill, Stephen (2017) “In fair [Europe], where we lay our scene” Romeo and Juliet, Europe and digital cultures. In: Romeo and Juliet in European Culture. John Benjamins Publishing Company, pp. 283-300. ISBN 9789027264787

    O'Neill, Stephen (2014) Ophelian Negotiations: Remediating the Girl on YouTube. Borrowers and Lenders: The Journal of Shakespeare and Appropriation, IX (1). ISSN 1554-6985

    O'Neill, Stephen (2020) Shakespeare's Hand, or "the strangers' case": Remediating Sir Thomas More in the context of the Refugee Crisis. Borrowers and Lenders: The Journal of Shakespeare and Appropriation, 13 (1). ISSN 1554-6985

    O'Neill, Stephen (2018) "Shakespeare’s Digital Flow: Humans, Technologies and the Possibilities of Intercultural Exchange". Shakespeare Studies, 46. pp. 120-133.

    O’Neill, Stephen (2021) “And Who Will Write Me?”: Maternalizing Networks of Remembrance in Maggie O’Farrell’s Hamnet. Shakespeare, 17 (2). pp. 210-229. ISSN 1745-0918

    O’Neill, Stephen (2021) Bring yourself back online, Old Bill: Westworld’s media histories, or six degrees of separation from Shakespeare. Cahiers Élisabéthains: A Journal of English Renaissance Studies, 105 (1). pp. 93-116. ISSN 0184-7678

    P

    Palmer, Patricia (1990) Apples, Arts, Amnesiacs and Emigrants: The University Connection. Irish Review, 8. pp. 14-18. ISSN 0790-7850

    Palmer, Patricia (2015) Response by Palmer to "Betraying Empire: Translation and the Ideology of Conquest". Translation Studies, 8 (3). pp. 357-361. ISSN 1478-1700

    Peart, Jessica (2019) Inter-subjectivity and intra-communality in Ciaran Carson’s Poetic Translations. PhD thesis, National University of Ireland Maynooth.

    R

    Roche, Emma (2021) ‘A Corkscrew in the Neck’: Interrogating Popular Representations of Femininity for the Postmillennial Period. PhD thesis, National University of Ireland Maynooth.

    Ryan, Marie-Therese (2016) Biopolitics, Borders and the Populations of Literary Space in Two Post-millennial Black British Novels: Abdulrazak Gurnah’s By the Sea and Andrea Levy’s The Long Song. Masters thesis, National University of Ireland Maynooth.

    S

    Sakr, Rita (2011) Between Terror and Taboo: Monumentalisation as the Matrix of History and Politics in Orhan Pamuk’s The Black Book and Snow. British Journal of Middle Eastern Studies, 38 (2). pp. 227-247. ISSN 1353-0194

    Sakr, Rita (2010) 'Broken Pillars': The Counter-Monumental Texture of Ulysses. Dublin James Joyce Journal, 3. pp. 120-143. ISSN 2009-1850

    Sakr, Rita (2011) Imaginative migrations: An interview with the Lebanese-Canadian writer Rawi Hage. Journal of Postcolonial Writing, 47 (3). pp. 343-351. ISSN 1744-9855

    Sakr, Rita (2019) Imagining mid-nineteenth-century Beirut as a ‘City of the World’: Public intellectuals, photography, cartography and historical literature. Journal of Urban Cultural Studies, 6 (1). pp. 31-57. ISSN 2050-9790

    Sakr, Rita (2018) The More-Than-Human Refugee Journey: Hassan Blasim's Short Stories. Journal of Postcolonial Writing, 54 (6). pp. 766-780. ISSN 1744-9855

    Sakr, Rita (2007) Negotiating Post-War Lebanese Literature: A Conversation with Rashid al-Daif. Journal of Postcolonial Writing, 43 (3). pp. 278-285. ISSN 1744-9855

    Sakr, Rita (2008) Staging Social and Political Spaces: Living Theatre in Joyce’s “The Dead”. Journal of the Short Story in English, 51. ISSN 1969-6108

    Sullivan, Moynagh (2011) Looking at Being Somebody: Class and Gender in the Poetry of Rita Ann Higgins. Irish University Review, 41 (2). pp. 112-133. ISSN 1755-6198

    T

    Trehy, Bernadette (2011) In Ruin Unreconciled: Women Writers and the End of the British Empire. PhD thesis, National University of Ireland Maynooth.

    V

    Van Der Ziel, Stanley (2019) Godot’s Shakespeare. Irish Studies Review, 27 (1). pp. 38-55. ISSN 0967-0882

    Van Der Ziel, Stanley (2017) John McGahern, Post-Revival Literature and Irish Cultural Criticism. New Hibernia Review, 21 (1). pp. 123-142. ISSN 1092-3977

    This list was generated on Mon Mar 18 22:05:54 2024 UTC.